Cognitive Daily: Artists look different

A couple of researchers from Norway showed a number of works of art to artists and non-artists and then used eye-tracking cameras and software to figure monitor what parts of the artwork they were actually looking at. vart1.jpg

The yellow lines in the pictures above show how the eyes of the viewers scan the painting. The main finding is that there is a difference in the way artists look at a painting when compared to regular people. The image on the left shows how regular people spend much more time looking at the “key features” of a painting, while the image on the right shows how artists actually spend much more time looking at the other details.

Here’s another example:

vart2.jpg

Obviously, the image at the right represents the eye motion of artists. The idea is that artists have much more training in how to reproduce the details of a scene and hence they look at those with much more interest then the average person who wants to look at people and faces.

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House is an island

When a man in China refused to sell his house to developers (who want to convert the area to a mall and shopping complex), they simply started the digging around his house. That has apparently not fazed him, and he vows to stick on.

“The villa owner refuses to move, so the real-estate developer has had to dig out all around it to force him to,” says a saleswoman at Weilian Real Estate Sales Company.”He wants 20 million yuan, or he’ll stay till the end of the world.”

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Google creating the “manual” internet

BBC News has an article on how Google is helping researchers in different parts of the world share terabytes of data by actually sending them hard-drives and then shipping them over to the destination.

“We have a number of machines about the size of brick blocks, filled with hard drives.

“We send them out to people who copy the data on them and ship them back to us. We dump them on to one of our data systems and ship it out to people.”

Google keeps a copy and the data is always in an open format, or in the public domain or perhaps covered by a creative commons license.

As Andrew Tanenbaum once said:

Never underestimate the bandwidth of a station wagon full of tapes hurtling down the highway.

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