Analyzing creative “right-brainers”

 Venkat analyzes what he calls the “da Vinci mind” and a couple of books that describe the minds that will dominate the future. Although the whole article is intriguing, what I found most interesting is his section on the failings of those who have this kind of mind:

Whole New Mind is a book with which I resonated wildly, but which nevertheless made me very uncomfortable. On the one hand I felt an instant surge of resonance and recognition. I could not help but recognize myself clearly in the portrait Pink paints of this thinking style. In fact, through my meandering years through graduate school, I zeroed in on almost exactly the same set of attributes as characterizing the strengths of my thinking style. Metaphor and narrative, in particular have driven much of my work. So Pink’s book was, in a way, a source of strong validation to the point where I found myself thinking, “Dammit, if I were a better writer, I could have written this book.”

And yet, I found myself feeling uncomfortable about the uniformly “brave new world” tone of both books. My discomfort probably has to do with my fundamentally tragic outlook on life, which rests solidly on the idea that our brains (right-brained or not) are hopeless flawed and optimized for self-delusion. Had I been the one to write WNM, I suspect I’d have devoted as many chapters to the pathologies of the whole new mind as to its strengths. Wild mood swings and bipolar tendencies, bouts of deep and extended lethargy, dissipated daydreaming, sloppy amateurishness — these are all traits as characteristic of the WNM as its conceptual and creative strengths, and no amount of the sort of educational reform that Gardner and others like Mihaly Csikzentmihalyi and Martin Seligman suggest, will fix these flaws.

Which does not mean necessarily that the WNM will not rule the future. But just because many influential people may be (metaphorically, in the Pink sense) right-brained in the future does not mean most right-brainers will be influential (applying a dose of left-brained necessary/sufficient logic here). Most of us will in fact fade into oblivion as blog writers or end up institutionalized believing we are Napoleon or Bill Gates. The reason is hard logic: the output of one Einstein can keep hundreds of left-brainers busy for decades. The world only has the bandwidth to realize the conceptual imaginings of a few of the most creative right-brainers. The rest who don’t make the Einstein grade will have to learn to play with their underdeveloped left brain.

On a smaller scale, this issue plays out in the tension that exists between discipline and IQ. To succeed you need a combination of both – having just high IQ is not enough.

Who gets lucky?

Another long Marc Andreessen post, this time talking about the different kinds of “luck” and gives ideas on how you can go about getting luck on your side. Excerpt:

This of course leads to a number of challenges for how we live our lives as entrepreneurs and creators in any field:

* How energetic are we? How inclined towards motion are we? Those of you who read my first age and the entrepreneur post will recognize that this is a variation on the “optimize for the maximum number of swings of the bat” principle. In a highly uncertain world, a bias to action is key to catalyzing success, and luck, and is often to be preferred to thinking things through more throughly.

* How curious are we? How determined are we to learn about our chosen field, other fields, and the world around us? In my post on hiring great people, I talked about the value I place on curiosity — and specifically, curiosity over intelligence. This is why. Curious people are more likely to already have in their heads the building blocks for crafting a solution for any particular problem they come across, versus the more quote-unquote intelligent, but less curious, person who is trying to get by on logic and pure intellectual effort.

* How flexible and aggressive are we at synthesizing — at linking together multiple, disparate, apparently unrelated experiences on the fly? I think this is a hard skill to consciously improve, but I think it is good to start most creative exercises with the idea that the solution may come from any of our past experiences or knowledge, as opposed to out of a textbook or the mouth of an expert. (And, if you are a manager and you have someone who is particularly good at synthesis, promote her as fast as you possibly can.)

* How uniquely are we developing a personal point of view — a personal approach — a personal set of “eccentric hobbies, personal lifestyles, and motor behaviors” that will uniquely prepare us to create? This, in a nutshell, is why I believe that most creative people are better off with more life experience and journeys afield into seemingly unrelated areas, as opposed to more formal domain-specific education — at least if they want to create.

In short, I think there is a roadmap to getting luck on our side, and I think this is it.

See full article.